![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : GE revisions
b. 1
|
composition: Op. 25 No 2, Etude in F minor
..
In the main text we give the title and dedication according to the title page of the entire opus in GC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
||||||||||||||||
b. 4
|
composition: Op. 25 No 2, Etude in F minor
..
In AW, GC, FE and EE1 (→EE2), there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions |
||||||||||||||||
b. 9
|
composition: Op. 25 No 2, Etude in F minor
..
The last crotchet in GE1 is an e category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
||||||||||||||||
b. 25
|
composition: Op. 25 No 2, Etude in F minor
..
In GC (→GE1), FE and EE1 there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , GE revisions , Errors of GC |
||||||||||||||||
b. 56
|
composition: Op. 25 No 2, Etude in F minor
..
The notation of this bar is erroneous or inaccurate in the majority of the sources. Most probably, Chopin, writing this fragment in [A] for the third time (after analogous bars 6 and 25), had already such a strong correlation of the notes with the proper sound that he did not notice the missing
The cautionary category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of A , Errors of GC |