Issues : Annotations in teaching copies
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b. 16
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composition: Op. 25 No 2, Etude in F minor
category imprint: Differences between sources |
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b. 18
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composition: Op. 25 No 2, Etude in F minor
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The pedalling in the 1st half of the bar may come from Chopin – it could have been added still in the base text to FE or added in a proofreading of this edition. However, it seems to be more likely that we are dealing with a mistake resulting from similarity of the first figures in the L.H. in bars 16-18. It is confirmed by a correction – deleting the category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FES |
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b. 18
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composition: Op. 25 No 2, Etude in F minor
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In the main text we give the fingering written into FED. The first numeral, written in FES, does not have to mean the same fingering, although it is possible. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 27
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composition: Op. 25 No 2, Etude in F minor
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In the main text we do not give this numeral, as it is included in Chopin fingering given at the first appearance of this phrase (bar 8). category imprint: Differences between sources |
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b. 28
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composition: Op. 25 No 2, Etude in F minor
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In the main text we do not give this fingering numeral, as it already appears at the first presentation of this figure (bar 1). category imprint: |
sign – in 
