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Issues : Errors in EE
b. 5
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composition: Op. 25 No 1, Etude in A♭ major
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In EE1 the lowest note of the last beat in the R.H. is the erroneous a category imprint: Differences between sources issues: Errors in EE |
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b. 16
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composition: Op. 25 No 1, Etude in A♭ major
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In A, CDP, FE, and EE1, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals , Errors of A |
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b. 20
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composition: Op. 25 No 1, Etude in A♭ major
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The fourth semiquaver in the R.H. in A is written too low, so it resembles rather a d category imprint: Graphic ambiguousness; Differences between sources issues: Errors in EE , Errors in GE , GE revisions , Inaccurate note pitch in A , Authentic corrections of FE |
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b. 25
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composition: Op. 25 No 1, Etude in A♭ major
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In the majority of the sources, there are inaccuracies concerning the notation of accidentals, not having an impact on the interpretation of the text. In AI, A (→CDP) and FE, there are no naturals before the 3rd note in the L.H. (a) and the 4th note in the R.H. (e1), while in EE1, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in EE , GE revisions , Inaccuracies in A |
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b. 33
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composition: Op. 25 No 1, Etude in A♭ major
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The version of EE1 is most probably a mistake (the so-called Terzverschreibung), corrected in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in EE |