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Issues : Accompaniment changes
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b. 32-33
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composition: Op. 25 No 1, Etude in A♭ major
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In the original version, written in AI, the bottom notes of the figuration in the R.H. doubled the melodic line – (e
In GE1 (→GE2), the 4th semiquaver in bar 33 is an f1 instead of d category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in GE , Terzverschreibung error , GE revisions , Deletions in A , Accompaniment changes |
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b. 33-34
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composition: Op. 25 No 1, Etude in A♭ major
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In the original version, written in AI, the bottom notes of the figuration in the R.H. double the melodic line from the middle of bar 33 – a category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |
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b. 35
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composition: Op. 25 No 1, Etude in A♭ major
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In AI it can be seen that it was the one octave lower E category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Corrections of AI |
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b. 36
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composition: Op. 25 No 1, Etude in A♭ major
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The change of register of the bass note is one of a few introduced in this part of Etude by Chopin – cf. bars 35, 38 and 40. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 38
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composition: Op. 25 No 1, Etude in A♭ major
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In AI one can see that, initially, it was the one octave lower A category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Corrections of AI |
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