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p. 4, b. 29-38
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
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AI - Earlier autograph
A - Autograph
CDP - Copy for Delfina Potocka
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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AI - Earlier autograph
A - Autograph
CDP - Copy for Delfina Potocka
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 33-34

a1-g1-g1 in AI

f1-f1-e1 in A (→CDP,GE), FE & EE

In the original version, written in AI, the bottom notes of the figuration in the R.H. double the melodic line from the middle of bar 33  – a1-g1-g1. in A, Chopin immediately wrote the changed version, also in the L.H. where on the 4th beat in bar 33 and 1st beat in bar 34 there are two ginstead of d1 and e1 as the top notes. Interestingly enough, the final edition of the part of the R.H. in the 2nd half of bar 33 was initially written in AI, yet it was changed there. Hence we could talk about Chopin's hesitation here. Cf. the note to bars 32-33.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations, Accompaniment changes, Corrections of AI

notation: Pitch

Missing markers on sources: AI, A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, CDP, GE1b