Issues : Errors of CDP
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b. 35-36
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composition: Op. 25 No 1, Etude in A♭ major
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In the main text we suggest an interpretation of the slurs of A based on the following observations:
This is how the slurs in GE1 were reproduced. The slurring of the remaining sources is, according to us, either an attempt to interpret the slurs of A or a result of accidental or arbitrary changes. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Inaccurate slurs in A , GE revisions , Errors of CDP |
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b. 37-38
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composition: Op. 25 No 1, Etude in A♭ major
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In the main text, we give the most accurate, according to us, interpretation of slurs of A, given in GE1 and compatible with the notation of FE. It seems to be highly unlikely that Chopin would have liked to then withdraw from the concept of slurring written in A. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Inaccurate slurs in A , GE revisions , Errors of CDP |
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b. 39-49
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composition: Op. 25 No 1, Etude in A♭ major
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In CDP, there are no pedalling marks until the end of the Etude. We do not consider it a real "variant" of the indications and we do not include this source in the notes concerning pedalling. category imprint: Differences between sources issues: Errors of CDP |
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b. 40
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composition: Op. 25 No 1, Etude in A♭ major
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The version of CDP is certainly a result of the copyist's inattention, who, looking for possibilities to accelerate copying with an abbreviated notation, did not notice the movement of the melodic line. category imprint: Interpretations within context; Differences between sources issues: Errors of CDP |
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b. 41-48
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composition: Op. 25 No 1, Etude in A♭ major
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In CDP, there are no slurs concerning the semiquavers until the end of the Etude. We do not comment this fact in further notes concerning slurring. category imprint: Differences between sources issues: Errors of CDP |
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