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Issues : Authentic corrections of FE
b. 69
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A Chopin wrote the middle note of the last chord as d1. It was changed to c category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections of FE |
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b. 70
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE1 includes an additional d category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 71-72
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the main text, we give a longer slur, with which Chopin replaced staccato dots and the shorter slur of A in the proofreading of FE1. Similar changes were introduced by the composer almost in all analogous places. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 71
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composition: Op. 26 No 2, Polonaise in E♭ minor
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All dyads in the 2nd half of the bar – in the parts of both hands – are provided with staccato dots in A. Chopin deleted them in the proofreading of FE1 – see the next note. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 72-88
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Chopin added the pedalling indication on the last beat of bars 72, 80 and 88 in the proofreading of FE. The category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in FE , GE revisions , Authentic corrections of FE |