Issues : EE revisions
b. 34
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE2 (→GE3→GE4) and EE2 added superflous cautionary flats next to g in the L.H. and g1-g2 in the R.H. Similarly in bar 138. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 35
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A has no rising c to c. The gap was filled in already in FE1. In all sources a is superfluously repeated next to the demisemiquaver c2; A and EE also have next to c1 at the end of the arpeggio. category imprint: Interpretations within context; Differences between sources issues: EE revisions , FE revisions , Last key signature sign |
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b. 36
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A (→FE→GE) has flats (cautionary?) next to the g1-g2 octave. EE omitted (deleted?) the signs, while GE2 (→GE3→GE4) added an extra next to g in the L.H. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 37
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A has no accidentals before the first quaver. Sharps necessary to indicate notes c, c1, c2 were not written by Chopin until the last semiquaver, and only in the R.H. (the same pertains to bar 141, which is a repetition of bar 37). The editions filled in the essential signs (some or all):
In the main text we leave only naturals at the beginning of the bar. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 38
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composition: Op. 26 No 2, Polonaise in E♭ minor
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category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Corrections in A , GE revisions |