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Issues : EE revisions
b. 31
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→GE1,EE) overlooked the accent on the triplet in the R.H. It was added in the subsequent GE, presumably after the corresponding bar of the reprise (bar 135). A has a short accent, which is probably an inaccurate notation given the context and a distinct long accent in bar 29. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 32
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→GE1) erroneously inserted a redundant category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE overlooked the category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The notation of accidentals in the R.H. arpeggio is not fully compliant with rules of the orthography. Chopin needlessly repeated category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Cautionary accidentals , Inaccuracies in A |
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b. 34-36
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A has no Instances of omitted essential naturals next to notes C in different octaves occur in A repeatedly in the whole section (bars 33-40). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Cautionary accidentals , Omission of current key accidentals , FE revisions , Last key signature sign , Inaccuracies in A |