Issues : GE revisions
b. 93-94
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Among the five staccato dots, written in A in the L.H. in the 2nd half of bar 93 and on the 1st quaver in bar 94, FE recreated only the first one, whereas GE1 - none. The signs were added in the remaining editions, adding a dot also on the 2nd quaver in bar 94. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 94-95
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composition: Op. 26 No 2, Polonaise in E♭ minor
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We consider the absence of separate staccato dots for the L.H. in A (→FE→GE1) to be an inaccuracy – see bars 70-71. The signs were added in EE (inaccurately – the last dot was overlooked) and GE2 (→GE3→GE4). In these sources staccato was added also on the first two quavers in bar 95. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 106-108
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The lack of pedal signs in FE in bars 106-108 is certainly a mistake. The markings – pedalling and also L.H. slurs – are omitted up to the end of the page (till bar 110). All the remaining editions supplemented the pedalling with a sign in bar 106, but the markings in bars 107-108 were added only in GE2 (→GE3→GE4). category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 107
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→GE1) omitted the slur in the L.H. It is undoubtedly an engraver's inaccuracy. Cf. the neighbouring note. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 109
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE overlooked the slur in the L.H. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |