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Op. 26 No 2, Polonaise in E♭ minor

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b. 157

composition: Op. 26 No 2, Polonaise in E♭ minor

in A

No marking in FE (→GE,EE)
..

As in bar 53 the absence of  in FE (→GE,EE) is most probably a result of the engraver's inattention.

category imprint: Differences between sources

issues: Errors in FE

b. 159

composition: Op. 26 No 2, Polonaise in E♭ minor

Staccato in A (→FE→GE1,EE)

No dots in GE2 (→GE3→GE4)
..

GE2 (→GE3→GE4) arbitrarily removed staccato dots in the 2nd half of the bar (as well as in bar 160).

category imprint: Differences between sources

issues: GE revisions

b. 160

composition: Op. 26 No 2, Polonaise in E♭ minor

9 staccato dots in A (→FE→EE)

8 dots in GE1

No marks in GE2 (→GE3→GE4)
..

GE1 overlooked the staccato dot over the 1st chord. GE2 (→GE3→GE4) arbitrarily removed all dots in this bar.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 160

composition: Op. 26 No 2, Polonaise in E♭ minor

 in A & GE2 (→GE3→GE4)

No sign in FE (→GE1,EE)
..

FE (→EE,GE1) overlooked the  hairpins. The defect was completed in GE2 (→GE3→GE4) most probably on the basis of comparison with analogous bars 8, 56 and 112.

category imprint: Differences between sources

issues: Errors in FE , GE revisions

b. 160-171

composition: Op. 26 No 2, Polonaise in E♭ minor

..

In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty, numerated bars, corresponding to bars 1-67.

category imprint: Source & stylistic information

issues: Abbreviated notation of A