Pitch
b. 52-53
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A the first quaver in bar 52 is an A1, whereas in bar 53 – A. Chopin swapped them in the proofreading of FE1. The composer performed a similar correction also in analogous bars 84 and 85. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 60
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE1,EE1) the is before the top quaver of the bottom voice. This patent error could have been caused by the inaccurate notation of A, although the sign in bar 58, where FE did not commit a mistake, is even more misleading. The remaining editions have the correct text. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Inaccuracies in A |
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b. 65
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composition: Op. 26 No 1, Polonaise in C♯ minor
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category imprint: Differences between sources issues: GE revisions |
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b. 66
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composition: Op. 26 No 1, Polonaise in C♯ minor
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A features an e1 as the 1st quaver of the bottom voice. Chopin performed a correction in FE1, changing it to a d1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 69
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FEJ Chopin deleted e1 in pencil in two last chords and added the fingering. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |