



Pitch
b. 29
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The oversight of
In the main text we remove the unnecessary category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , Authentic corrections of FE , Inaccuracies in A |
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b. 31-32
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE1,EE) the slur ends on the last note in bar 31. In similar bars 5-7, the slur is led to the 1st note of bar 7, which ends the phrase. A possible reason of the slur's shortening in the editions is the inaccuracy of notation of A, in which Chopin ended the slur just before the bar line between bars 31 and 32. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , EE inaccuracies |
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b. 34
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composition: Op. 26 No 1, Polonaise in C♯ minor
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category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 36-37
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In bar 36 in A there are no accidentals, which is certainly Chopin's mistake – cf. analogous bar 11. The necessary accidentals were added in the proofreading of FE (→GE,EE), together with the cautionary sharps in bar 37. category imprint: Interpretations within context; Differences between sources issues: Cautionary accidentals , Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 39
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A Chopin undoubtedly overlooked the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , Errors of A , Last key signature sign |