mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

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Fingering

b. 66-68

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE
..

The fingering of EE is an addition by Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 69-70

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE
..

In EE, in the entire scale Fontana marked the position of the 1st finger.

category imprint: Differences between sources

issues: EE revisions

b. 71-73

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering written into FED

Fingering in EE
..

In the main text we give the fingering written in bar 72 in FED. In EE Fontana added significantly more indications, also in the L.H., however, he never indicated the fingering for the 2nd and 3rd notes of four-note figures in the R.H. Therefore, it seems that despite there being no formal discrepancies between Chopin's class entry and Fontana's fingering, in fact he had a different fingering in mind in this place (121).

category imprint: Differences between sources

issues: EE revisions

b. 75-77

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE
..

The fingering of EE is an addition by Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 79-80

composition: Op. 10 No 4, Etude in C♯ minor

Fingering in AI

FE (→GE,EE)
..

In the main text we give the fingering of FE (→GE,EE). It develops the indications written in AI, which are less detailed, yet unambiguous.

category imprint: Differences between sources

issues: EE revisions