Fingering
|
b. 26
|
composition: Op. 10 No 4, Etude in C♯ minor
..
In the main text we give the 3rd finger written in FED at the beginning of the next bar. Chopin's fingering in the previous bar, which also applies here, indicates that the sustained note should be performed with the 3rd finger from the beginning. The use of the 3rd finger was also indicated here by Fontana in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
||||||||
|
b. 27-28
|
composition: Op. 10 No 4, Etude in C♯ minor
..
In the main text we give the fingering written by Chopin in FED. However, it is unclear how it is to be understood, as it differs from the fingering of similar figures in bar 25. In EE Fontana added a fingering modelled on Chopin's indications in bar 25. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
||||||||
|
b. 29-30
|
composition: Op. 10 No 4, Etude in C♯ minor
..
In the main text we consider the fingering written in FED, in spite of the fact that – similarly as in the previous bars – it is unclear how to complete them. The indications added by Fontana in EE are more detailed and they partially indicate a different fingering. Two numerals, determining the 4th and 3rd fingers over the 13th and 14th semiquavers in bar 30, are most probably swapped. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
||||||||
|
b. 31
|
composition: Op. 10 No 4, Etude in C♯ minor
..
The fingering, added in EE by Fontana, corresponds to the rhythm of changes of the hand's position, indicated by Chopin for the L.H. category imprint: Differences between sources issues: EE revisions |
||||||||
|
b. 31
|
composition: Op. 10 No 4, Etude in C♯ minor
category imprint: Differences between sources |
