mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

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Fingering

b. 45-46

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering digit written into FES

Fingering in EE
..

In the main text we give the fingering numeral written in FES. In the fingering added by Fontana in EE, a different finger was indicated here.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FES

b. 47-50

composition: Op. 10 No 4, Etude in C♯ minor

Fingering in AI

No fingering in FE (→GE)

Fingering written into FES

Fingering in EE

Our suggestion
..

In the main text we include the numeral added in bar 47 in FES and two which complete it, yet coming from AI. Fontana's fingering in EE diverts from Chopin's indications also in this place. Fontana gave two fingering variants.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FES

b. 51

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE
..

The fingering in EE was added by Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 60

composition: Op. 10 No 4, Etude in C♯ minor

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 63-65

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE
..

The fingering of EE, except for the last numeral in bar 65, repeated after analogous bars 13-15 (although marked less precisely), comes from Fontana.

category imprint: Differences between sources

issues: EE revisions