Slurs
b. 17-18
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composition: Op. 10 No 4, Etude in C♯ minor
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The slur in bar 17, despite that in AI it starts only from the 3rd semiquaver, is certainly to be understood as a whole-bar slur. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 19-22
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI Chopin would write slurs only from time to time, which resulted from the working nature of this autograph. In the discussed section, the only slur is in bar 21 (discussed separately). category imprint: Differences between sources |
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b. 21
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composition: Op. 10 No 4, Etude in C♯ minor
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The slur of AI overlooks the first two and last two semiquavers of the bar. The context indicates here a patent inaccuracy of notation. category imprint: Interpretations within context; Differences between sources issues: Inaccurate slurs in A |
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b. 23-24
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composition: Op. 10 No 4, Etude in C♯ minor
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The slur of FE at the beginning of bar 24 (on the new line) very clearly indicates continuation of the preceding one and this is how it was understood in GE1 (→GE2). However, in EE it was the slur of FE in bar 23, ending on the last semiquaver, that was considered as correct. The separation of the slurs in GE3 (→GE4→GE5) is probably a mistake. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in GE , GE revisions |
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b. 25
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composition: Op. 10 No 4, Etude in C♯ minor
category imprint: Differences between sources |