Issues : GE revisions
b. 3
|
composition: Op. 24 No. 1, Mazurka in G minor
..
In GE2 (→GE3) a cautionary was added before a1 on the last chord. That unjustified revision was probably done to imitate Chopin's signs in analogous bars 11, 51 and 59. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
|||||||
b. 8
|
composition: Op. 24 No. 1, Mazurka in G minor
..
We give the precise notation of A, which later underwent gradual distortions in GE1 and FE (→EE): first the omission of the dot and moving of the accent, then lowering of the curved line. As a result, in FE (→EE) the note a is sustained, which almost certainly goes against Chopin's intentions, as changes did not have the nature of corrections at any stage category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
|||||||
b. 9
|
composition: Op. 24 No. 1, Mazurka in G minor
..
category imprint: Differences between sources issues: GE revisions |
|||||||
b. 11
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The lack of a slur in authentic sources may, in our opinion, be considered an inaccuracy of notation of this Mazurka – hence our proposition to supplement it. The reviewers GE2 (→GE3) apparently had the same motivation, but instead of repeating Chopin's slur as in A (e.g. in bar 3), they gave its distorted version from GE1. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
|||||||
b. 17
|
composition: Op. 24 No. 1, Mazurka in G minor
..
In GE1 (→FE) Chopin's indication dolce was replaced with the abbreviation dol. We expand that currently obsolete abbreviation to its original full form, which has already been done in EE and GE2 (→GE3). category imprint: Differences between sources issues: EE revisions , GE revisions |