Issues : GE revisions

b. 3

composition: Op. 24 No. 1, Mazurka in G minor

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In GE2 (→GE3) a cautionary  was added before a1 on the last chord. That unjustified revision was probably done to imitate Chopin's signs in analogous bars 11, 51 and 59.

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals

b. 8

composition: Op. 24 No. 1, Mazurka in G minor

Articulation in  A

FE (→EE)

GE2 (→GE3)

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We give the precise notation of A, which later underwent gradual distortions in GE1 and FE (→EE): first  the omission of the dot and moving of the accent, then lowering of the curved line. As a result, in FE (→EE) the note a is sustained, which almost certainly goes against Chopin's intentions, as changes did not have the nature of corrections at any stage

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions

b. 9

composition: Op. 24 No. 1, Mazurka in G minor

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In GE2 (→GE3) a cautionary  was added before c1.

category imprint: Differences between sources

issues: GE revisions

b. 11

composition: Op. 24 No. 1, Mazurka in G minor

No slur in A (→GE1FEEE)

A curved line added in GE2 (→GE3)

The editors' suggestion

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The lack of a slur in authentic sources may, in our opinion, be considered an inaccuracy of notation of this Mazurka – hence our proposition to supplement it. The reviewers GE2 (→GE3) apparently had the same motivation, but instead of repeating Chopin's slur as in  A (e.g. in bar  3), they gave its distorted version from GE1.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 17

composition: Op. 24 No. 1, Mazurka in G minor

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In GE1 (→FE) Chopin's indication dolce was replaced with the abbreviation dol. We expand that currently obsolete abbreviation to its original full form, which has already been done in EE and GE2 (→GE3).

category imprint: Differences between sources

issues: EE revisions , GE revisions