b. 62
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composition: Op. 24 No. 1, Mazurka in G minor
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The pedal release mark , placed at the end of the bar in A, was gradually moved to the left in subsequent editions (GE, FE and EE) so that it appeared earlier and earlier in the bar. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 62
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composition: Op. 24 No. 1, Mazurka in G minor
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In A, the word ritenuto appears more or less mid-bar, which allows for a certain freedom in its interpretation, as it may either be binding from the beginning of that bar or apply predominantly to the motif in the 2nd half of the bar. In GE (→FE→EE) it was printed at the beginning of the bar and thus the extent of its application was determined. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 63
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composition: Op. 24 No. 1, Mazurka in G minor
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We add a cautionary before c1. The sign was already added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 63
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composition: Op. 24 No. 1, Mazurka in G minor
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The shape of the accent in A is typical for long accents and it was fairly accurately reproduced in GE. The mark in FE (→EE) had the form of a short accent, which must be considered an inaccuracy. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 64
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composition: Op. 24 No. 1, Mazurka in G minor
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It is not clear whether the dot added in EE under g1 was a mistake or the result of a revision. It is hard to find the cause of a possible mistake, yet finding the reason for adding the dot by the reviewer is not easy either. category imprint: Differences between sources issues: EE revisions , Errors in EE |