Issues : Authentic corrections of FE
b. 116-117
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composition: Op. 38, Ballade in F major
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The additional tie to d1 results either from a mistake, or from an unconsidered revision by the copyist in GC (→GE) – that note belongs to the first theme of the Ballade, and of course must be played. The lack of ties in FE1 (→FE2) and EE is probably due to the misunderstanding of A. In FE3 the ties were most probably added by a reviser on the basis of A, although we cannot exclude Chopin's participation in this kind of correction. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Authentic corrections of FE , Errors of GC |
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b. 132
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composition: Op. 38, Ballade in F major
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It is also in this bar that we give the unambiguous version of A (→EE,GC→GE) in the main text, in spite of the fact that while proofreading FE2 (→FE3), Chopin added a lowering e1 to e1. This version must be considered as authentic, yet not necessarily final – the composer, not seeing the following text in this line, could have heard here a harmonic progression analogous to the one in bars 101 and 126, therefore, in the previous phase of the phrase's development. category imprint: Differences between sources; Corrections & alterations issues: Errors resulting from corrections , Authentic corrections of FE |
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b. 133
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composition: Op. 38, Ballade in F major
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A (→FE1,EE,GC→GE) has only the g1-g2 octave as a semiquaver. Chopin completed it with the c2 note in a proofreading of FE2. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 135
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composition: Op. 38, Ballade in F major
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In A, the third and fourth chords in the R.H. contain patent mistakes: there is no accidental before the third one, which results in a f2 simultaneously with f3, whereas before the fourth one Chopin wrote a before the lowest note and a lowering e3 to e3, which also results in a f2 simultaneously with f3. The sharp before the 4th chord, unnecessary in the current configuration, confirms the assumption resulting from a comparison with analogous bar 110 that Chopin meant f2-f3 in the third chord and f2-f3 in the fourth one. This version, without errors, is present in FE2 (→FE3), corrected by Chopin. In all sources based directly on A, the following inauthentic corrections were performed:
category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE , Errors repeated in FE |
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b. 138-139
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composition: Op. 38, Ballade in F major
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In the editors' opinion, e2 in A (→GC,FE1,EE), although possible from harmonic point of vue, results probably from Chopin's inadvertence. In any case, the almost certainly authentic correction of FE2 (→FE3) urges to acknowledge e2 as the composer's last intention. Also added was the flat in GE, as were the cautionary naturals before e1-e2 in the next bar in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions , Errors of A , Authentic corrections of FE |