Issues : FE revisions
b. 122-123
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composition: Op. 38, Ballade in F major
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In EE, GE and FE1 (→FE2) there is no tie sustaining the g note to the next bar. FE3 corrected this inaccuracy. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , FE revisions |
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b. 124
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composition: Op. 38, Ballade in F major
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In A (→EE,GC→GE1), the first note in the R.H. lower part mistakenly has the value of a minim. The error was rectified in FE and GE2(→GE3). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , FE revisions , Errors repeated in GE , Errors repeated in EE |
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b. 136
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composition: Op. 38, Ballade in F major
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The rhythm in FE was most likely constrained by the poor music layout leaving no room for a rest.. category imprint: Differences between sources issues: FE revisions |
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b. 142
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composition: Op. 38, Ballade in F major
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A (→GC,FE1→FE2) has no raising c1 to c1 in the L.H. The patent Chopin's oversight was corrected in EE, FE3 and GE. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , Omission of current key accidentals , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 148
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composition: Op. 38, Ballade in F major
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In A the only accidentals in this bar are two sharps: before G at the beginning of the bar, and g in the R.H. The before the bottom note of the octave was added in all remaining sources. Besides this Chopin wrote into GC three more naturals, before the 1st semiquaver (b), and before the last octave (B1-B). GE supplemented the record of GC with a before b at the start of the 2nd half of the bar (this note is written in the sources on the lower staff). That was also added in FE2 (→FE3) and EE. The latter further added only both accidentals at the beginning of bar leaving the last octave without naturals. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , FE revisions , Authentic corrections in GC , Errors repeated in EE |