Issues : Omission of current key accidentals

b. 110

composition: Op. 38, Ballade in F major

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FE1 overlooked the  raising c3 to c3 in the first R.H. chord. The accidental was added in FE2 (→FE3).

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , Omission of current key accidentals , Authentic corrections of FE

b. 118

composition: Op. 38, Ballade in F major

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In A (→GC,FE) there is no  raising B to B. The inaccuracy was corrected in EE and GE.

category imprint: Editorial revisions

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors repeated in FE

b. 136

composition: Op. 38, Ballade in F major

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There is no  lowering e3 to e3 in the first R.H. chord in A (→FE1,GCGE). The error was corrected in FE2 (→FE3) and EE.

category imprint: Editorial revisions

issues: Omission of current key accidentals , Errors of A , Errors of GC , Errors repeated in FE

b. 142

composition: Op. 38, Ballade in F major

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A (→GC,FE1FE2) has no  raising c1 to c1 in the L.H. The patent Chopin's oversight was corrected in EE, FE3 and GE.
In A (→GC,FE), in the 2nd half of the bar there is an unnecessarily repeated  before c2. The accidental was necessary in the manuscripts because the line ends in the middle of the bar. It was omitted in EE and GE.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , Omission of current key accidentals , FE revisions , Inaccuracies in A , Errors repeated in FE

b. 144

composition: Op. 38, Ballade in F major

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In A (→GC,FE) the  raising c2 to c2 is only written before the 8th semiquaver. The accidental before the 2nd semiquaver was added in EE and GE, but only EE removed the then superfluous  in the 2nd half of the bar.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of GC , Errors repeated in FE