Issues : Authentic corrections in GC
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b. 150
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composition: Op. 38, Ballade in F major
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A (→GC,FE1) has no naturals before the upper notes of the 4th and 12th semiquaver (b1 and b2). This inaccuracy, characteristic of Chopin, was gradually corrected in FE – the first was added in FE2, the second in FE3. All these sources have no before the 7th L.H. note, b. This, however, is not an error because a b in the 2nd R.H. semiquaver is placed with the appropriate on the lower staff. The remaining editions have a fully correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Authentic corrections of FE , Authentic corrections in GC , Inaccuracies in A |
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b. 151
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composition: Op. 38, Ballade in F major
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A (→FE1) has no accidentals in this bar. Chopin added the overlooked naturals before the 3rd L.H. octave (B-b) in GC (→GE) and FE2 (→FE3). The signs were also added in EE, most probably by analogy with bar 149. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE , Authentic corrections in GC |
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b. 152
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composition: Op. 38, Ballade in F major
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In A (→GC,FE) the raising b1 to b1 is only written before the 8th semiquaver, and there is no raising b to b in the L.H. Chopin wrote in the latter in GC (→GE), it was also added in FE3 and EE. The notation of the R.H. was supplemented in EE and GE, but only EE removed the then superfluous in the 2nd half of the bar. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Authentic corrections in GC , Inaccuracies in A |
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b. 171
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composition: Op. 38, Ballade in F major
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Based on the slurs added most probably by Chopin in GC and FE2 (→FE3), the absence of the slur in A is probably an oversight of the composer, perhaps related to the transition to a new page in A. However, the range of the slur is questionable:
category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections in GC |
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b. 172
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composition: Op. 38, Ballade in F major
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The slur over three L.H. quavers in the 2nd half of the bar was probably added in GC (→GE) by Chopin. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
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