Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 65

composition: Op. 38, Ballade in F major

..

In the main text we add a cautionary  next to in the L.H. in bars 65 and 66.

category imprint: Editorial revisions

b. 66

composition: Op. 38, Ballade in F major

 in A (→GC)

in FE

in EE & GE

..

In EE and GE the  ends with the 2nd beat of bar 66. Perhaps the editors' revision was caused by the will to obtain an analogy with bar 64, in which cresc. actually embraces only the 2nd half of the bar.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins

b. 66

composition: Op. 38, Ballade in F major

..

As in the previous bar, A (→FE,EE) has a superfluous  next to e1 in the first chord. It is omitted in GC (→GE) what can be regarded as a mistake by the copyist or an intended change.

category imprint: Differences between sources

issues: Cautionary accidentals , Inaccuracies in GC

b. 66

composition: Op. 38, Ballade in F major

..

In FE1 (→FE2) the  before the 2nd chord is placed too low, before f1. The inaccuracy was corrected in FE3.

category imprint: Interpretations within context

issues: Inaccuracies in FE , Terzverschreibung error

b. 66

composition: Op. 38, Ballade in F major

..

FE1 has d instead of f as the last semiquaver. The distinct error was corrected in FE2 (→FE3).

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE