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Issues : Authentic corrections of FE
b. 277-278
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composition: Op. 42, Waltz in A♭ major
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In the main text we adhere to the dynamic markings written by Chopin in FEG (→GE). In the remaining two first editions cresc. is preceded with a category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 277-280
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composition: Op. 42, Waltz in A♭ major category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 281
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composition: Op. 42, Waltz in A♭ major
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The last category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 283-285
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composition: Op. 42, Waltz in A♭ major
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In each of three editions Chopin marked the ending of crescendo differently. The version of EE – if it reproduces Chopin's notation correctly – may be considered as intermediary between the shorter crescendo in FE and longer in GE. In the main text we give the version of FEG (→GE) written with the composer's hand. category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 284-285
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composition: Op. 42, Waltz in A♭ major
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Chopin changed the original version of FE0 to a more virtuoso one and with fuller sound in FEG (→GE) and FE. The different version of EE is most probably authentic as well, while the enhancement and expansion of the sound (with respect to the original version) was reached by the undoubtedly easier pianistic grip. In the main text we give the version of two editions, FE and GE, confirmed somehow by the entry in FED indicating to take over e category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |