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b. 273
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composition: Op. 42, Waltz in A♭ major
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category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 273-276
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composition: Op. 42, Waltz in A♭ major
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As in bar 261 Chopin wrote the pedalling in those bars only in the proofs of FE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 276-277
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composition: Op. 42, Waltz in A♭ major
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According to us, the accel. indication written by Chopin in FEG should be understood as "over the 1st quaver in bar 277" and not "from the last quaver in bar 276". This is how it was understood in GE and this is the interpretation we adopt in the main text. The entry underlying the version of FE must have looked similarly. We develop the abbreviation used by Chopin, which is used less frequently nowadays; GE and EE already include the full indication. category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 277-280
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composition: Op. 42, Waltz in A♭ major
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The accents written by Chopin in FEG raise doubts as to the type of the used accent and placement with respect to the bottom and upper stave. In the main text we present the most plausible interpretation of the signs written by Chopin in FEG, according to us. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Authentic corrections of GE , Authentic corrections of EE |
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b. 277-278
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composition: Op. 42, Waltz in A♭ major
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In the main text we adhere to the dynamic markings written by Chopin in FEG (→GE). In the remaining two first editions cresc. is preceded with a category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
indication only appears in 
cresc. - - cresc. in 
