b. 248-249
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composition: Op. 42, Waltz in A♭ major
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In FE1 the crescendo indication was placed – most probably after the proofreading entry of Chopin – already in bar 238. In the main text we adopt the version of FEG (→GE) and EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 251
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composition: Op. 42, Waltz in A♭ major
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On the 3rd crotchet GE certainly erroneously repeats the previous chord. category imprint: Differences between sources issues: Errors in GE |
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b. 253
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composition: Op. 42, Waltz in A♭ major
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In FE0 (→FE,FEG) there is no lowering g to g. It was the reviser of GE1 (→GE2→GE3) that added the necessary sign. The correct version is also in EE. category imprint: Differences between sources issues: Errors in FE , Accidentals in different octaves |
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b. 255
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composition: Op. 42, Waltz in A♭ major
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GE1 has a superfluous cautionary next to g1 on the 3rd crotchet. The sign was removed already in GE2 (→GE3). category imprint: Differences between sources issues: Cautionary accidentals |
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b. 256
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composition: Op. 42, Waltz in A♭ major
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The version of FE0 (→EE) with g2 as the bottom note of the first of the pairs of the quavers is most probably erroneous. In the base text to FE and in FEG (→GE) Chopin changed this g2 to f2, yet in FE the correction was misunderstood, hence the flat was also copied, which resulted in a f2. Chopin corrected this new error in FEJ. In this situation, the presence of the original version in EE must be considered as a result of an oversight of proofreading or the engraver's inattention. In the main text we give the text written by Chopin's hand in FEG and FEJ. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Errors in FE , Authentic corrections of FE , Annotations in FEJ , Authentic corrections of GE |