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b. 160

composition: Op. 42, Waltz in A♭ major

..

The natural before b1 in the chord on the 3rd beat of the bar is only in GE2 (→GE3). In this context the need to use this sign is an issue of convention.

category imprint: Differences between sources

issues: GE revisions

b. 164

composition: Op. 42, Waltz in A♭ major

c1-e1-a1 in FE1

c1-e1-g1 in FE0 (→GE,EE)

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FE0 (→GE,EE) has the c1-e1-g triad on the 2nd crotchet. While proofreading FE1, Chopin changed the topmost note of this chord from g1 to a1. This version, as the later one, was adopted to the main text.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 164-165

composition: Op. 42, Waltz in A♭ major

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In FE0 (→FE,FEG) there is no change to the bass clef here. The sign was erroneously added in GE1, by placing it only after the 1st crotchet in bar 165. Eventually, the error was corrected in GE2 (→GE3). EE also features the clef in the correct place.

category imprint: Differences between sources

issues: Errors in FE , Errors in GE , GE revisions

b. 165

composition: Op. 42, Waltz in A♭ major

No marking in FE0

above staff in FE1 & FEG (→GE1)

below staff in EE & GE2 (→GE3)

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The leggiero indication, written by Chopin in FEG (→GE), was included also in the base texts to FE and EE. In the latter, same as in GE2 (→GE3), the indication was placed between the staves, just after . It is probably the editor's revision.

 

category imprint: Differences between sources

issues: EE revisions

b. 165

composition: Op. 42, Waltz in A♭ major

..

GE1 has a misplaced bass clef between the 1st and 2nd quavers in the L.H.

category imprint: Differences between sources

issues: Errors in GE , GE revisions