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b. 174

composition: Op. 42, Waltz in A♭ major

 
 
..

On the 2nd and 3rd crotchets in FE there is no c1. Chopin completed this deficiency in FEG (→GE). EE also features the correct version.

category imprint: Differences between sources; Corrections & alterations

issues: Errors in FE , Authentic corrections of GE , Authentic corrections of EE

b. 182

composition: Op. 42, Waltz in A♭ major

B-d-g in FE0 (→FE,EE,FEGGE1)

e-g in GE2 (→GE3)

..

In analogous bar 10 Chopin changed the B-d-g chords for e-g thirds. He introduced this correction in all three base texts: in FEG (→GE), as well as in the base texts to FE and EE. Lack of respective changes in bar 182 is most probably a result of an oversight – Chopin was known to leave out a correction in one of a few similar places – therefore, also in this bar we give the corrected version with thirds, resulting in a lighter sound. The revisers of GE2 (→GE3) introduced the same change.  

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: GE revisions , Omitted correction of an analogous place

b. 185-193

composition: Op. 42, Waltz in A♭ major

..

GE1 and EE have an unnecessary, cautionary  next to a.

category imprint: Differences between sources

b. 193

composition: Op. 42, Waltz in A♭ major

..

In FE0 there is no  next to d. The mistake was overlooked by Chopin in FEG (→GE1). The missing sign was already added in GE2 (→GE3) and FE1 and EE.

category imprint: Differences between sources

issues: Omission of current key accidentals

b. 196

composition: Op. 42, Waltz in A♭ major

c2 in FE0 (→FE,EE,FEGGE)

a1 in GE2 (→GE3)

..

At the beginning of the bar FE (→FEGGE1,EE) has a c2, which is most probably a characteristic error of the engraver (the so-called Terzverschreibung). In analogous bar 24 in all sources there is an anote. A respective correction was introduced in GE2 (→GE3).

category imprint: Differences between sources

issues: Errors in FE , Terzverschreibung error , GE revisions