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Issues : GE revisions
b. 20-21
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composition: Op. 10 No 3, Etude in E major
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The shorter slur of FE (→GE1,EE) is certainly a result of a too literal interpretation of A. Moreover, in FE (→EE) the slur was placed under the stave. The graphic layout of GE is similar to A in this respect. category imprint: Differences between sources issues: Placement of markings , GE revisions , FE revisions |
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b. 27
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composition: Op. 10 No 3, Etude in E major
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The long accent in A (→FE→EE2→EE3) was reproduced in GE1 (→GE1a) as category imprint: Differences between sources issues: Long accents , EE revisions , GE revisions |
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b. 29
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composition: Op. 10 No 3, Etude in E major
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In the main text we give most probably the only (except for AI, which is devoid of indications) authentic version of articulation signs – four staccato dots written in A, traditionally meaning small accents. The remaining versions are probably a result of imposition of errors and revisions of the editors. category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE , GE revisions |
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b. 30-31
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composition: Op. 10 No 3, Etude in E major
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In the main text we give the undoubtedly only authentic version of the accents on the d1-f category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions , EE inaccuracies |
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b. 32
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composition: Op. 10 No 3, Etude in E major
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In GE3 (→GE4→GE5) the staccato signs (in the parts of both hands) were arbitrarily changed from authentic wedges to dots. category imprint: Differences between sources issues: GE revisions |