GE1
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 44-57

In the editions, when the beam combined two notes out of which one was at the end of the line of the text and the other at the beginning of the next one, one did not use broken beams – both notes were provided with stems (semiquaver or quaver). In FE (→EE) it concerns bars 44-45, 47-48, 51-52 and 55-56, while in GE – bars 44-45, 47-48, 50-51, 53-54, 57-58 and – adopted from FE – 55-56. In mUltimate Chopin we consider these differences only in the case of quavers in bars 55-56 and 57-58. Cf. bars 58-60.

Compare the passage in the sources »

category imprint: Source & stylistic information

issues: GE revisions, FE revisions

notation: Rhythm

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Original in: The University of Chicago Library, Chicago