Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 3, Etude in E major
In the editions, when the beam combined two notes out of which one was at the end of the line of the text and the other at the beginning of the next one, one did not use broken beams – both notes were provided with stems (semiquaver or quaver). In FE (→EE) it concerns bars 44-45, 47-48, 51-52 and 55-56, while in GE – bars 44-45, 47-48, 50-51, 53-54, 57-58 and – adopted from FE – 55-56. In mUltimate Chopin we consider these differences only in the case of quavers in bars 55-56 and 57-58. Cf. bars 58-60.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: GE revisions, FE revisions
notation: Rhythm
