A
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 44-45

R.H. a2-d3 & d2-b2 (1 slur, contextual interpretation) in AI

L.H. f2-d3 & b1-a2 (3 slurs) in A (→FEGE1,EE2)

L.H. f2-d3 & b1-a2 (4 slurs) in GE1a (→GE1GE3GE4GE5) & EE3 (→EE4)

Same as in bars 42-43, in AI the entire dyad passage is performed by the R.H., while each of the next pairs is a repetition of the previous one octave lower. In this case, by deciding to divide the passage between the hands, Chopin additionally changed notes in four dyads foreseen for the L.H. This final version was written in its final form already in A (→FEGE,EE).

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

notation: Pitch

Go to the music

Original in: Muzeum Fryderyka Chopina, Warszawa