Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 3, Etude in E major
In the main text, we give the fingering of the L.H. added by Chopin in a proofreading of FE (→GE). According to us, the fingering was meant to dissipate any possible doubts concerning the division between the hands – in this particular place moving the bottom voice of the R.H. to the bottom stave may suggest its performance by the L.H. The fingering is absent in EE, which may be an oversight of the engraver or a revision of Fontana, who focused on the R.H. (in bars 1-14 he provided fingering to almost every note in the R.H.).
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions, Authentic corrections of FE
notation: Fingering
