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Issues : GE revisions
b. 20
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE→GE1→GE2,→EE2→EE3) there is no
In the sources the natural raising g category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Annotations in FES , Inaccuracies in A |
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b. 20
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composition: Op. 10 No 6, Etude in E♭ minor
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Lack of the dot prolonging G in FE (→GE1) is probably an error. The sign was added in EE, as well as in GE2 and subsequent GE,s. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 21
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composition: Op. 10 No 6, Etude in E♭ minor category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 22
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composition: Op. 10 No 6, Etude in E♭ minor
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The dots extending the e1-f category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 24
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composition: Op. 10 No 6, Etude in E♭ minor
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In the main text we give the hairpins after A. In FE (→GE,EE) they were aligned to the third of the upper voice, which most probably was a manner of the engraver of FE. In GE5 the direction of the mark was reversed. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , Sign reversal |