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b. 35
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composition: Op. 10 No 6, Etude in E♭ minor
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In A there are no accidentals before the last note of each semiquaver group. These patent oversights were corrected in the editions: a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Errors of A , Authentic corrections of FE |
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b. 35
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composition: Op. 10 No 6, Etude in E♭ minor
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A includes two unjustified naturals (cautionary?) before d1 and f1 before the chord in the middle of the bar. In a proofreading of FE (→GE,EE) the bottom accidental was removed. category imprint: Differences between sources issues: Cautionary accidentals |
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b. 35
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composition: Op. 10 No 6, Etude in E♭ minor
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The accent in A resembles a short one with its shape, yet its size indicates rather a long one. FE (→GE) include a short accent, while in EE the mark took the form of diminuendo hairpins. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE inaccuracies |
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b. 35-36
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composition: Op. 10 No 6, Etude in E♭ minor category imprint: Differences between sources issues: Errors in GE |
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b. 36
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composition: Op. 10 No 6, Etude in E♭ minor
..
We consider the mark added in a proofreading of FE (→GE1,EE) to be a long accent. Lack of the mark in GE2 (→GE3→GE4→GE5) is certainly a result of an oversight. category imprint: Differences between sources issues: Long accents , Authentic corrections of FE |
before the 6th note was added in 
before the 12th note – in 
in 
