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b. 20
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composition: Op. 10 No 6, Etude in E♭ minor
..
In A (→FE→GE1→GE2,→EE2→EE3) there is no
In the sources the natural raising g category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Annotations in FES , Inaccuracies in A |
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b. 20
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composition: Op. 10 No 6, Etude in E♭ minor
..
Lack of the dot prolonging G in FE (→GE1) is probably an error. The sign was added in EE, as well as in GE2 and subsequent GE,s. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 20
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composition: Op. 10 No 6, Etude in E♭ minor
..
The change of the notation introduced by Chopin in a proofreading of FE (→GE,EE) manifests both the harmonic progression and rhythmic values (shorter sound of g1). In EE2 (→EE3) the quaver flag is missing. category imprint: Differences between sources issues: Different values of chord components , Enharmonic corrections |
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b. 21
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composition: Op. 10 No 6, Etude in E♭ minor category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 21
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composition: Op. 10 No 6, Etude in E♭ minor
category imprint: Differences between sources issues: Errors in FE , fz – f |
raising G
to G. This patent accuracy was corrected in 
was omitted. This patent error was corrected both in 
, we trust rather