Fingering
b. 57-58
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composition: Op. 10 No 5, Etude in G♭ major
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In the editions, the omission of fingering digits (1) over the 1st notes in these bars is most probably a result of distraction of the engraver of FE. category imprint: Differences between sources issues: Errors in FE |
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b. 61
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composition: Op. 10 No 5, Etude in G♭ major
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Omission of the '1' digit over the penultimate note in the editions is certainly a result of distraction of the engraver of FE. category imprint: Differences between sources issues: Errors in FE |
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b. 63-64
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text we give the fingering written by Chopin in FED in the form adopted in our edition for this kind of situations. category imprint: Differences between sources; Editorial revisions |
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b. 64
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composition: Op. 10 No 5, Etude in G♭ major
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In GE2 and subsequent GE,s, the fingering digit over the last note is missing. It is most probably an oversight. category imprint: Differences between sources issues: Errors in GE |
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b. 65-66
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composition: Op. 10 No 5, Etude in G♭ major
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The meaning of the entry in bar 66 is unclear, although most probably it concerns simultaneous performance of the e1-g1 third with the 1st finger of the L.H. (the grip was marked by Chopin on a number of occasions, e.g., in the Piano Concerto in E minor, Op. 2, 2nd mov., bar 16 or the Prelude in A major, Op. 28 No. 7, bar 12). Another possibility is the use of 1st fingers of both hands, which was indicated by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |