Fingering
|
b. 31-32
|
composition: Op. 10 No 5, Etude in G♭ major
..
In the main text we give the fingering of A, as in the editions it was reproduced with mistakes. Chopin corrected two out of them in pupils' copies – he added the omitted '1' digit over the 5th note in bar 31 in FES and he changed the '1' digit to '2' over the 3rd note in bar 32 in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Inaccuracies in FE , GE revisions , Annotations in FES |
||||||||
|
b. 33
|
composition: Op. 10 No 5, Etude in G♭ major category imprint: Differences between sources issues: EE revisions |
||||||||
|
b. 40
|
composition: Op. 10 No 5, Etude in G♭ major
..
In FE (→GE1→GE2) the '5' digit was erroneously placed one semiquaver earlier. The mistake was corrected in EE and later GE,s. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
||||||||
|
b. 41-42
|
composition: Op. 10 No 5, Etude in G♭ major
category imprint: Differences between sources; Corrections & alterations issues: Differences in fingering , Authentic corrections of FE |
||||||||
|
b. 43-44
|
composition: Op. 10 No 5, Etude in G♭ major
..
The fingering of A (→FE) in bar 44 was completed by Fontana in EE. Omission of the digit over the 4th note in bar 43 in GE is most probably a result of an oversight. The figuration in this bar requires a position of the hand whose fingering was changed by Chopin in bar 41. According to us, from the pianistic point of view, the extension of this correction's range is justified, therefore, in the main text we suggest two variants of the fingering. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE |
