Pedalling
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b. 48
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composition: Op. 10 No 5, Etude in G♭ major
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In FE (→GE1,EE2) lack of the pedal release mark of the pedal depressed in bar 47 should be considered as an inaccuracy. In GE2 and subsequent GE,s, as well as in EE3 (→EE4) a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 50-54
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composition: Op. 10 No 5, Etude in G♭ major
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The pedal marks in bars 50 and 54 were added by Chopin in a proofreading of FE (→GE1). Lack of category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 51
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text we give the pedalling added by Chopin in a proofreading of FE (→GE,EE). As an alternative we suggest the indications of FE – also based on Chopin's proofreading – from analogous bar 3. category imprint: Interpretations within context; Corrections & alterations issues: Authentic corrections of FE |
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b. 52
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text we give the pedalling of FE (→GE,EE), based on Chopin's entry in the proof copy of FE. An alternative suggestion is the version (also being a result of Chopin's proofreading in FE) included in analogous bars 4 and 12. category imprint: Interpretations within context issues: Authentic corrections of FE |
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b. 53
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composition: Op. 10 No 5, Etude in G♭ major
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We suggest to complete the pedalling on the basis of Chopin's proofreading of FE in analogous bars 5 and 13. The marks were also added in EE4, yet the category imprint: Editorial revisions |
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