Below a list of pedalling of particular sources in bars 3, 11 and 51:
| bar | FE, GE1 | GE2-5 | EE |
|---|---|---|---|
 |
|
|
|
| 3 |
  |
|
|
| 11 |
|
|
|
| 51 |
|
|
|
According to us, it is highly unlikely that Chopin wanted to differentiate pedalling in these bars, therefore one of the entries in bars 3 and 51 is probably inaccurate. As it is hard to indicate one of them as more justified, we give alternative versions in all three places:
- in the main text we complete the pedalling in bar 11 on the basis of bar 3. The solution is totally compliant with the base source (FE2); the version was also introduced in GE2 (→GE3→GE4→GE5);
- additionally, in bars 3 and 11 we suggest marks drawn from bar 51 and in bar 51 – those from bar 3.
As a result, the main text of the Etude includes both probably authentic pedalling versions in these bars, with a possibility of unifying all three places with the help of one change of the version.
category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations
issues: EE revisions, Inaccuracies in FE, GE revisions, Authentic corrections of FE, No pedal release mark
notation: Pedalling
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