Pedalling
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b. 2-14
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composition: Op. 10 No 5, Etude in G♭ major
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The pedal markings added in a proofreading of FE in bars 2, 6 and analog. differ in the placement of the pedal release's mark, which in bars 2 and 14 (as well as in 50) is under the 3rd quaver of the bar, while in bar 6 – under the 2nd one. According to us, it cannot be excluded that Chopin had a different vision of pedalling in bars 1-2 and 9-10 (the first bar of the pair without pedal and in the second one, a half-bar long pedal) and a different one in bars 5-6 and 13-14 (all bars with a pedal to the 2nd quavers). We suggest this possibility, in which the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 3-11
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composition: Op. 10 No 5, Etude in G♭ major
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Pedalling in bar 3 and analog., added by Chopin in a proofreading of FE, is inconsistent (bars 3 and 51 have all marks, yet they are differently distributed) and partially incomplete (in bar 11 there is only the category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 4-12
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composition: Op. 10 No 5, Etude in G♭ major
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In bars 4 and 12 we give the pedalling added by Chopin in a proofreading of FE (→GE,EE). What is striking is the fact, if we trust FE, that in analogous bar 52 Chopin wrote different indications. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 5-13
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composition: Op. 10 No 5, Etude in G♭ major
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Chopin added the pedalling in bars 5 and 13 in a proofreading of FE. At the same time, the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 7
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composition: Op. 10 No 5, Etude in G♭ major
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A comparison with similar bar 15 suggests that the lack of pedalling in this bar may be a result of an oversight. Such a conclusion was already reached by the reviser of EE3 (→EE4). category imprint: Editorial revisions |
mark in bar 14 must be considered as misplaced, in the main text. As an alternative, we give a homogeneous pedalling in bars 2, 6 and analog., in which 
sign at the beginning of the bar). The second 
