b. 20
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composition: Op. 10 No 11, Etude in E♭ major
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The cautionary natural before d2 is present in all sources. In turn, the relevant sign in the L.H. was added only in GE2 (→GE3→GE4) and EE4. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 21
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composition: Op. 10 No 11, Etude in E♭ major
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The cautionary flat before d in the 5th chord is included in all sources. In turn, a relevant accidental in the R.H. was added only in GE2 (→GE3→GE4) and EE4. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 21-22
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we reproduce the range of the hairpins in these bars after A. In FE (→EE) they were recreated with a slightly shortened mark in bar 21. GE repeats the mark of FE in bar 21, while in bar 22 the mark was gradually elongated until occupying the entire bar. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 22
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composition: Op. 10 No 11, Etude in E♭ major
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In A there is no lowering g to g in the 1st chord in the L.H. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 22
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composition: Op. 10 No 11, Etude in E♭ major
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The change of the bottom note in the 3rd chord from g1 to f1 is undoubtedly a result of Chopin's correction in FE (→GE,EE). category imprint: Differences between sources; Corrections & alterations |