Issues : Authentic corrections of FE
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b. 36-43
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composition: Op. 10 No 11, Etude in E♭ major
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The arpeggios, omitted in A certainly due to distraction (haste), were added in a proofreading of FE (apart from the part of the L.H. in bar 38). GE and EE have all necessary wavy lines. category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |
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b. 36
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composition: Op. 10 No 11, Etude in E♭ major
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In A there are no naturals returning g and g2 and flats returning a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 37-38
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composition: Op. 10 No 11, Etude in E♭ major
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In both bars Chopin changed the bottom notes of the chords on the 3rd quaver in a proofreading of FE (→GE,EE). He introduced similar changes in many other places both in A and proofreading of FE—cf. bars 17-21. category imprint: Differences between sources; Corrections & alterations |
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b. 40
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composition: Op. 10 No 11, Etude in E♭ major
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Before the last chord in A there are no naturals returning c2 and c3. The accidentals were probably added only in the last proofreading of FE (→EE), as they are not included in GE1 (they were added in subsequent GE,s). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 41
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composition: Op. 10 No 11, Etude in E♭ major
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In the last proofreading of FE (→EE) a cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
and a
before g was added before the 4th chord (the accidental is absent both in