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Issues : Authentic corrections of FE
b. 27-29
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composition: Op. 10 No 11, Etude in E♭ major
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In bars 27 and 29 there are no cautionary accidentals in A. The flat before e category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 28
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composition: Op. 10 No 11, Etude in E♭ major
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Both dynamic indications included in the sources in this bars are dubious. category imprint: Interpretations within context; Differences between sources; Corrections & alterations |
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b. 31
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composition: Op. 10 No 11, Etude in E♭ major
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In the 1st chord in A (→FE1→GE1,EE3) there is no cautionary
A cautionary category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 32
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composition: Op. 10 No 11, Etude in E♭ major
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While proofreading FE (→GE,EE), Chopin changed the topmost note of the 1st chord from f3 to c3. We consider this change to be independent from the articulation, which was inaccurately reproduced in the editions. Therefore, in the main text we give a chord in the corrected by Chopin form and with authentic performance indications written in A (a slur and a wedge). category imprint: Differences between sources issues: Authentic corrections of FE , Main-line changes |
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b. 32
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composition: Op. 10 No 11, Etude in E♭ major
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In A there is no category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |