![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccuracies in FE
b. 4-12
|
composition: Op. 10 No 11, Etude in E♭ major
..
In A in bar 4 (and bar 12, which repeats this bar) the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies |
|||||||||
b. 4-12
|
composition: Op. 10 No 11, Etude in E♭ major
..
In the main text we give the category imprint: Differences between sources issues: Inaccuracies in FE |
|||||||||
b. 7-15
|
composition: Op. 10 No 11, Etude in E♭ major
..
Not being certain whether the missing cresc. indication in bars 7 and 15 in the editions corresponds to Chopin's intention, we suggest a variant solution in the main text. category imprint: Differences between sources issues: Inaccuracies in FE |
|||||||||
b. 8
|
composition: Op. 10 No 11, Etude in E♭ major
..
A includes two category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Authentic corrections of FE |
|||||||||
b. 8-9
|
composition: Op. 10 No 11, Etude in E♭ major
..
In the main text we adopt the quaver tie system applied by Chopin in A. In FE (→GE,EE) the ties in the L.H. may have been changed due to graphic difficulties, embracing three last quavers in bar 8 with one tie and providing the 1st quaver in bar 9 with a stem. In GE3 a similar tie system was applied in bar 8 also in the case of the R.H. category imprint: Source & stylistic information issues: Inaccuracies in FE , GE revisions |