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b. 81-82

composition: Op. 10 No 12, Etude in C minor

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In A the naturals raising e to are written only before the topmost note of the chord at the beginning of bars 81 and 82 (also before in the R.H.) and the flats lowering to d (in different octaves) – only on the 2nd beat of bar 81. In FE before the lower note of the chord in bar 81 and flats of d on the 2nd beat of bar 82 were added to them. In GE all missing accidentals were added (also before d in the R.H.). In EE3 flats on the 4th beat of bar 81 were added (only in the L.H.) and on the 4th beat of bar 82 (both), while EE4 has accidentals in the same places as GE. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE

b. 83

composition: Op. 10 No 12, Etude in C minor

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Initially, c-g-a-cwas the first chord in the R.H. in A, which was carefully changed by Chopin to c-f-a-c1, repeated in the first editions.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

b. 83-84

composition: Op. 10 No 12, Etude in C minor

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In A the bottom notes of the octaves in bar 84 are written in an abbreviated form with the use of 8. In FE (→GE1GE2, →EE), undoubtedly due to lack of space, the notation was also extended to bar 83. The notation of A was returned in GE3 (→GE4), which, however, was certainly an independent decision of the reviser.

category imprint: Source & stylistic information

issues: Abbreviated octaves' notation