|
b. 69
|
composition: Op. 10 No 12, Etude in C minor
..
It is hard to determine whether lack of category imprint: Differences between sources issues: Errors in EE |
||||||||
|
b. 70
|
composition: Op. 10 No 12, Etude in C minor
..
Lack of the slur over the 2nd half of the bar in A is certainly Chopin's oversight, corrected in FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
||||||||
|
b. 70
|
composition: Op. 10 No 12, Etude in C minor
..
In A both accents in this bar differ significantly in their length, which was not considered in the editions. According to us, the first one, long, refers rather to the upper voice, therefore, in the main text we move it over the chord. category imprint: Differences between sources; Editorial revisions issues: Long accents |
||||||||
|
b. 70
|
composition: Op. 10 No 12, Etude in C minor
..
It is hard to determine with certainty if placing d2 on one stem with the g1 minim in GE3 (→GE4) was an intentional action or a mistake. category imprint: Differences between sources issues: Errors in GE , GE revisions |
||||||||
|
b. 71
|
composition: Op. 10 No 12, Etude in C minor
..
Not being certain whether the accent's omission is compatible with Chopin's intention, we suggest a variant solution. category imprint: Differences between sources issues: Long accents |
in 
