



Articulation, Accents, Hairpins
b. 35
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composition: Op. 10 No 2, Etude in A minor
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In the main text we give the category imprint: Differences between sources |
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b. 36-38
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composition: Op. 10 No 2, Etude in A minor
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In the main text we give the dots with which Chopin provided all quavers in these bars in FEcor. Ap also has dots, yet only over two bass notes in bar 38. See also bar 37. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 38
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composition: Op. 10 No 2, Etude in A minor
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The sign in Ap may be, according to us, interpreted as an accent (short?) or category imprint: Interpretations within context; Differences between sources issues: Long accents |
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b. 39
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composition: Op. 10 No 2, Etude in A minor
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The mark in Ap may be, according to us, interpreted as an accent (short or long?) or category imprint: Interpretations within context; Differences between sources issues: Long accents , EE revisions |
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b. 39
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composition: Op. 10 No 2, Etude in A minor
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In the main text we give a long accent on the basis of clear handwritten entry by Chopin in FEcor. The sign in FE (→GE1) is significantly shorter, yet it can still be considered a long accent. Later GE and EE already have a common short accent (except for EE2, in which the sign was overlooked). The accent under the part of the L.H. in Ap should also be considered as rather a short one. category imprint: Differences between sources issues: Long accents , Authentic corrections of FE |