Issues : Authentic corrections of FE
|
b. 10-14
|
composition: Op. 10 No 2, Etude in A minor
..
Lack of the lower octave at the beginning of bar 10 in Ap may point to Chopin's hesitation, as the octave is both in CLI and FE (→GE,EE). The situation in bar 14, in which A1 was added by Chopin only in FEcor (→FE→GE,EE), suggests, however, that the bass note in the original Chopin's idea was supposed to be only A, while the lower octaves were added by Chopin only at the stage of reviewing the entire piece. Overseeing one or two places during this kind of serial corrections would often happen to Chopin (cf., e.g., the Etude in G category imprint: Differences between sources issues: Authentic corrections of FE , Abbreviated octaves' notation |
||||||||
|
b. 10-14
|
composition: Op. 10 No 2, Etude in A minor
..
The third on the 3rd beat in bar 10 in CLI was probably meant to be a fifth in the original version (Terzverschreibung). In the sources Chopin's hesitation concerning the placement of the cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , GE revisions , Accompaniment changes , Authentic corrections of FE , Errors of CLI |
||||||||
|
b. 10-14
|
composition: Op. 10 No 2, Etude in A minor
..
In bars 10 and 14 in one of the last proofreadings of FE (→GE,EE) cautionary naturals before c2 in the last triad in the bar were added. According to us, signs in these places are unjustified. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
||||||||
|
b. 11
|
composition: Op. 10 No 2, Etude in A minor
..
In the main text we give sempre legato repetead here by Chopin in FEcor (→FE→GE,EE); probably due to the beginning of a new page in FE. Cf. bars 19-21. category imprint: Differences between sources issues: Authentic corrections of FE |
||||||||
|
b. 12
|
composition: Op. 10 No 2, Etude in A minor
..
In the main text we give a long accent on the basis of Ap and a handwritten Chopin's entry in FEcor. The engraver of FE (→GE,EE) totally misunderstood Chopin's sign, reproducing it as category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Authentic corrections of FE |
major, No. 5, 
before c1 is also reflected.
in